How to Choose a Wedding Photographer – 10 Tips For Selecting Wedding Photography

You want your wedding photographer to capture everything that makes your day special, to capture you at your best, to deliver photographs that live up to your expectations. Here are 10 tips for selecting wedding photography that you can live with throughout your new life together.

  1. A reputable wedding photographer should have a physical location. A physical location where you can find them when you need them and where you can meet with them safely is important. Brick and mortar wedding photography studios build trust within the community and with their clients. If your wedding photographer does not have a local address (not a PO Box) that they will share with you, it’s a good reason not to trust them. They might work out of their house, but do you know where that is? A physical office or studio is paramount to them being trustworthy. Would be you be willing to have a random stranger come to your house, or for you to go to their house? It’s safer and more reliable to choose a wedding photographer with a studio or office you can visit and where you can find your photographer.
  2. A good wedding photographer should help make your day go more smoothly. Aside from a dedicated wedding planner, your photographer is the only vendor who is going to be spending the entire day with you. A good wedding photographer should make things easier for you. They should solve problems. Your wedding photographer should be flexible. They should be able to adapt and thrive in difficult situations. Find out more about their abilities and ask about a difficult lighting scenario, bad weather, or other catastrophe and find out how they dealt with it in the past.
  3. You need your wedding photographer to be focused on you. When you meet with any wedding photographer for the first time, do they ask about you, get to know you, and find out what you want? Or do only they talk about themselves and what they do? Find a photographer who is willing to spend time getting to know you so you know they understand you and your needs. This is the best way to find out if they are a good fit for you.
  4. Your wedding photographer should be knowledgeable and helpful. They should offer suggestions about options you have for different things, provide advice on scheduling and setup, be full of ideas, and be ready to make your day and your planning easier. A good photographer is big on planning. Your photographer should work with you before an engagement session to select clothing and location. Your wedding day photography should be scheduled as part of your day rather than as an afterthought. Photography does not have to be inconvenient – it can be a fun and integral part of your day.
  5. It might sound strange, but not all wedding photographers are the same and not all photographers are a good fit for every client. If your wedding photographer meets you and finds out about what you are looking for and then tells you that they don’t think they would be a good fit for you, it might be surprising, but it’s nothing personal. Wouldn’t you rather a professional be honest about this than trying to change to meet your needs? Sometimes photographers realize that what they specialize in is not the same thing a client wants. Photographers don’t want to make you unhappy, and if a wedding photographer thinks you might be happier with a different style of photography or with a different situation, we will tell you before you book so you are not disappointed later.
  6. Price is NOT the most important factor when choosing a wedding photographer: You definitely get what you pay for. Photography is like anything else in life: You get what you pay for. It is not logical to think you can hire someone for little to no money and get the same results you would get if you had spent twice what you paid. Price is normally a factor when it comes to quality. Photographers who charge more are usually backed by their reputation, their brand, and their experience. You should also understand that your photographs will become the lasting memory of your wedding day. There are two things you should spend money on for your wedding, it should be your venue and your photography. People will probably not remember the food, you will only wear your dress once, and most of the other things are not huge investments anyway (flowers, music, makeup). You will look at your wedding photographs regularly – perhaps even every day – for the rest of your life. Shouldn’t your wedding photos be great?
  7. Your wedding photography studio should be insured and licensed as a legal business. Many venues actually require insurance from vendors working there. Camera equipment is expensive and you should make sure your photographer is fully insured by a reputable insurance company to make sure you are protected. Many photographers are just individuals with cameras and maybe a slick website. Make sure your photographer is backed by a legal, legitimate business.
  8. Your wedding photographer should have backup equipment and a backup plan. Mandatory: Cameras with two slots for memory cards that can be written to simultaneously in case one card fails, backup cameras and lenses, a data backup plan including offsite backups, and a disaster plan. Protect your investment. If your photographer only has one camera, it’s not enough.
  9. Multiple photographers with your package are much better for you than having just one. Your wedding photographer should have multiple photographers on staff in case someone get sick or God forbid injured. A lone photographer cannot be in enough places at once to possibly cover a wedding day adequately. For all but the smallest weddings, your wedding photographer should have at a minimum a photographer and assistant/second shooter. Anything less and you will be missing out on important moments, angles, and opportunities.
  10. Your wedding photographer should NOT dump a disc of photos on you and disappear after the wedding day. Some photographers will sell you a disc of high resolution photos, give them to you, and that’s it. Your wedding photographer should provide value-add services and products after your wedding day – for example, photo books or albums, photo prints, and wall art. Other services you should look for are in-studio viewings and selection, retouching and editing services, and gift options. A photographer that shoots photos for a disc is going to give you a result that is a completely different set of photos than a photographer who is shooting with an album in mind or to create artwork. You are going to get a much better selection of photos from a photographer focused on artwork and an heirloom album than one who is going to shoot-andburn a disc for you and call it a day. Will you really want to spend time and money designing your own album? Probably not. Make sure your photographer provides you with personal usage rights for the images, but you do not need raw files or ultra high resolution photos if your wedding photographer designs for you an amazing photo album, gives you a disc of JPG digital negatives, and offers print, artwork, and design options after the wedding. Consider what you really need and talk to your photographer about what they provide.

If you choose a wedding photographer who you get along with, whose portfolio or example photographs you enjoy, who offers products you want, and whom you feel you can trust, your wedding photography experience should be a positive one.

Photography is one of the most important decisions you will make for your wedding, and you owe it to yourself and your future legacy to invest in selecting a good wedding photographer instead of just the cheapest photographer you can find.

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Photography – A Memory Preserver

Photography is used by amateurs to preserve memories of favorite times, to capture special moments, to tell stories, to send messages, and as a source of entertainment. Many mobile phones now contain cameras to facilitate such use. Photography is all about light, and as photographers, we’re constantly thinking about the light as we photograph a scene. Light dominates our thoughts during the photographic process, and light continues to be a defining element when converting your RAW captures to “real” digitalimages. Photography is an art and those of us who choose to practice the great art of street photographyought not be targeted by bullies like Blint. Many of the great artists, artists being shown in the SF MOMA itself were practitioners of street photography.Photography is a language; it has syntax and structure like English. As with a language, there are many ways to understand how to use the language. Photography is also increasingly asserting itself on the auctionblock as an important investment. And its prices in the galleries and at the major fairs reflect its serious status.Photography is one of the most basic, quintessential prototypes for how a “small business” works. It’s the single-celled creature of the business world, making it the easiest to analyze, experimentwith, test, and retest.Photography is a type of art. With the skillful use of the artist’s hands, photography can bring out the subject’s “personality” and create almost magical moments which might not ordinarily be achieved through other means of self-expression. Photography is a creative endeavor, if you removethe pressure to capture every angle and view of a location, you free yourself up to be more creative and your results will be much better. Photography is not art any more than oil paint is art. Some photographers used it to create art.Photography is the confluence of chance, observation and memory. Photography and Art tap into the very life force that drives us. Photography is an emotional and intuitive process for me. Scenes, objects, and the subtleties of light and colour are like emotional bookmarks. Photography is an art that is capable of ?Photography is so much a part of our culture now that we hardly even notice all the places that it exists. When you watch television, look at a magazine or even view a billboard on the highway, this is all because of photography. Photography is no different than cave painting, we all want to tell our story, some want to record that story for others who missed out. Did you see the anguish in her face, did you notice the mother’s reaction?”. Photography is the dream, the interval, which we take to be the real. And yet secret tears flow behind these portraits.Photography is an entire hobby in itself, and a thorough exploration of it is beyond the scope of this article. If you are interested in Professional RC aerial photography, or just want to know more, get a book from the library on photography and read it. Photography is a life-long hobby for many people. But for many thousands more it is a vocation. People who gain ability in photography can put their knowledge to work by making their living in it. Photography is also just plain fun, and it’s a wonderful foundation for community-based projects. If you introduce photography properly, it helps you look much more carefully at the world around you.Photography is finally escaping any dependence on what is in front of a lens, but it comes at the price of its special claim on a viewer’s attention as “evidence” rooted in reality. As gallery material, photographs are now essentially no different from paintings concocted entirely from an artist’s imagination, except that they lack painting’s manual touch and surface variation. Photography is HOT in the international art market. People in the know buy photos by hot artists from hot dealers, the way some savvy businessmen buy blue-chip stocks. Photography is probably the most accessible form of art in the world. Granted, a box of crayons is cheaper than a disposable camera, but in theory you do not need any technical skills to use the camera.Photography is an art form that should not be squelched. Transportation is a huge part of our lives, and documenting this whether it be subway photos, or pictures of trains and airplanes, has a long history and tradition in this country Photography is also a large part of our modern news media and journalism. Photography is an expansive art form that includes more than just portraiture, landscape or glamor photography. Both professional and amateur photographers may favor specific types of photography over others.Cameras also provide histograms to help you determine if a photo has been properly exposed. Histograms will be a subject for a future article. Cameras may be hand held or mounted, and photographs may be taken by a photographer, triggered remotely or triggered automatically. Platforms for aerial photography include fixed-wing aircraft, helicopters, balloons, blimps and dirigibles, rockets, kites, poles and parachutes. Cameras are changing and improving. Methods of developing are changing and improving as well.Cameras in the nineteenth century were large, took photographic plates and required a long time for exposure. Subjects in portraits would have to sit for minutes, and some photographers would use restraints or posture holding devices to reduce movement. Cameras do not focus infrared light the same way they do visible light, which is one reason infrared photographs tend to be a little blurry. Cameras with a pentaprism (as opposed to pentamirror) ensure that little light is lost before it hits your eye, however these often increase the cost of the camera significantly. Larger format sensors also produce a brighter viewfinder image (such as full frame 35 mm, compared to 1.5-1.6X or smaller crop factors).Stock photos are professional photographs of all different subjects that are sold individually or as a set, usually on a CD or on the Internet. Clip art is line art such as drawings and illustrations rather than photographs. Stock photography websites contain thousands of existing photographs that can be licensed for specific uses. Legally, you cannot use a photo you find on the web without the photographer’s permission.Practice your photography skills and improve your class projects. Practice this at home in a dimly lit room and without a flash change the shutter speed settings on your camera. The manual you got with the camera should explain this more in detail.Subject movement is also an important factor to consider. Macro photography magnifies the subject, leaving more room for blur. Subjects in all lower case tend to escape notice in a busy group like RPD, and those in ALL CAPS tend to get actively ignored?probably because many experienced Internet users take all caps as SHOUTING.

Wedding Photography Lenses That Every Photographer Can’t Do Without

There are generally four kinds of photography lenses that every wedding photographer should have in his or her gig bag:
Wide-Angle Zoom
Wide-to-Telephoto Zoom
Image-Stabilized Telephoto Zoom
Prime/Portrait LensesWide-Angle ZoomWide-angle zoom lenses are one of the most important photography lenses that every wedding photographer should have, typically 17mm to 35mm in length with a fixed aperture of f/2.8. They provide a large depth of field, making it simple to have foreground and background in focus. They are an indispensable wedding photography equipment which allows versatility in confined areas such as a small banquet room or crowded dance floor. While shorter photography lenses allow you to capture more details, wide-angle zoom lenses allow you to capture more reactions and atmosphere to tell a richer story.To elaborate further, wide-angle zoom photography lenses allow you to shoot a wider perspective of moments happening around the major subject, hence providing a bigger picture of the entire event. For example, wide-angle photos have the capability to tell “stories within a story”, allowing you to reveal more of the story behind the shot. This is essential for a good photojournalistic wedding photography. As events surrounding weddings are so time sensitive, good photography lenses will allow you to capture as many actions or emotions in the quickest time as possible.When used in a venue such as the church or ballroom, wide-angle zoom photography lenses also magnify the grandeur and spaciousness of the area, which encapsulates the creative feel for a photojournalistic wedding photography.However, you need to be selective of the scenes or actions using wide-angle photography lenses, as a caveat to shooting wide is that it creates some body distortion, particularly when a subject is photographed close-up. Generally, people tend to look heavier and shorter on the edges, while arms can look huge. The last thing you want is to have the bride cursing you for making her look like she has put on 10 pounds! To get around this problem, you should as far as possible avoid putting the bride and groom at the edges of the wide-angle distortion. In addition, wide-angle photography lenses might also introduce distracting or unwanted elements into the frame, which would otherwise ruin a picture perfect moment.Wide-to-Telephoto ZoomWide-to-telephoto lenses are the single most important photography lenses that a wedding photographer cannot do without. They should ideally be lenses that cover somewhere around the 20-70mm focal length range with an aperture of f/2.8. This ideal range lets you get wide enough to take a group photograph and close enough to capture facial emotions in your candid shots or a three-quarter portrait of a couple without the undesirable effects of wide-angle perspective distortion. They also double as good lenses for portraits. Given just this lens, you would be able to capture most of the shots needed for a wedding decently well.Image-Stabilized Telephoto ZoomImage-stabilized telephoto zoom lenses are also essential items in your wedding photography equipment checklist. The 70-200mm focal length is an important range for wedding ceremony photos. It allows you to give your subjects more space in situations where you don’t want to get in the way. As you will often be photographing down the aisle from the back of the church, image-stabilized telephoto zoom lenses will come in very handy. 200mm is long enough to be able to take 3/4 length images of the bride and groom exchanging their vows while staying at a reasonable distance away from the action and 70mm is wide enough to take in the bridesmaids or groomsmen as a group without switching photography lenses.A good point to note is that when using such photography lenses, nice blurred background can be achieved with maximum wide apertures of f/2.8 and long focal lengths of 200mm or 300mm, whether you are using a full-frame or a small sensor body. This allows you to isolate the subject from its background, and to focus attention on the image as the main subject you want to portray. Such photography lenses are especially useful for shots where you are unable to get in close and for intimate and private moments, where you want to be an unobserved stranger at a distance. Some examples include a stolen glance, a mischievous grin, a kiss – the details that are effectively conveyed by the emotions. Image-stabilized telephoto zoom photography lenses hence play an important role in capturing such moments.These image-stabilized telephoto zoom photography lenses aren’t only good for blurry backgrounds or shooting events from a distance. They could also be used to photograph stunning facial close-ups from creative angles above or below the subject that don’t exhibit the normal distortions of large chins or shrinking heads that come from wider photography lenses.Yet another advantage of such photography lenses is that you can use the small-sensor camera’s 1.5x crop factor to your favour. The 200/2.8 long end of the standard zoom effectively becomes 300/2.8, a lens that would cost $4000 for a full-frame camera. The effective 300mm length allows for more creative photo angles than shorter photography lenses, such as tightly cropped images of the groom’s hands lifting the bride’s veil or the bride and groom’s hands while they put rings on each others fingers.The obvious disadvantage of image-stabilized telephoto zooms is that in many cases, long photography lenses tend to disconnect the subject from the main scene and there might be little to no context as to why the subject may have had expressed how they were feeling, the whereabouts of the subject and who else was there.When using a small-sensor camera as your primary or backup body, the other disadvantage of image-stabilized telephoto zoom lenses is that neither Nikon, Canon or Sony make an f/2.8 lens that gives you an effective 70-200mm focal length. Hence, you would have to pay the high price and carry the weight of photography lenses designed for a full-frame camera.Canon’s Image-Stabilization, Nikon’s Vibration-Reduction and Sony’s SteadyShot INSIDE systems are indispensable in allowing you to hand-hold these large and heavy long photography lenses, especially in low light situations. Every wedding photographer should ensure that the image-stablization and vibration-reduction features are available on their long lenses. You might also want to consider using a tripod to ensure continuous, accurate subject placement and sharp photos. Such telephoto zoom photography lenses are huge investments and if you have a budget constraint or an amateur just starting out, you might want to consider rental instead.Prime LensesPrime lenses are essentially photography lenses with fixed focal lengths, as opposed to zoom lenses, which have variable focal lengths of say 24-70mm or 17-55mm. Prime lenses generally have a better optical quality than zoom photography lenses, and usually come with wider maximum apertures such as f/2.8 or f/1.8.Good prime lenses are must-have photography lenses for any wedding photographer, as they are excellent for taking good portraits. Although you will be adequately equipped for a wedding shoot with the three zoom lenses in your lens kit as discussed above, it is worth including two to three fast prime lenses in your bag as well. These photography lenses are compact, light, and fairly inexpensive and would probably be needed in about 10 to 20% of a wedding shoot.Faster prime photography lenses are ideal in situations where f/2.8 aperture is not enough to get the motion-stopping shutter speed or shallow depth of field desired, whether for artistic or technical reasons. For example, an image that requires a 1/20th of a second shutter speed at f/2.8 will only require 1/60th of a second at f/1.8, forming a distinction between a sharp image and a blurry one. Many professional wedding photographers actually include prime lenses in their gig bags as an economical backup to their zoom lenses. Not many people could afford to purchase an additional 70-200mm f/2.8 telephoto lens as a backup and you also want to prevent a frantic situation whereby your photography lens fails on you during a crucial moment.There are many prime lenses available on the market but most photographers would include a 28/1.8, 50/1.8, and 85/1.8 in their prime photography lenses kit to be used on a full-frame body. The 28mm is wide enough to cover most ceremony locations and confined spaces, the 50mm is good for small groups or a priest blessing a couple, and the 85mm is long enough for ceremony vows and exchange of rings. A wedding can be successfully photographed with just these three photography lenses.